Medieval panel painting

Catalunya i la Mediterrània: circulació d\'artistes, objectes i models, Manuel Castiñeiras, Jordi Camps (eds.), Besalú, 2014 (Síntesi. Quaderns dels Seminaris de Besalú, 2, 2014).

Mediterranean Studies / Romanesque Art / Romanesque Sculpture / Romanesque Wall Painting / Byzantine art / Crusader Art / Medieval panel painting / Medieval Textiles and Clothing / Catalan Medieval Art / Model – book drawings / Catalan Artists / Byzantine Textiles / Crusader Art / Medieval panel painting / Medieval Textiles and Clothing / Catalan Medieval Art / Model – book drawings / Catalan Artists / Byzantine Textiles

Aportaciones a los catálogos de pinturas de Miguel Ximénez (doc. 1462- 1505) y Martín Bernat (doc. 1450-1505), pintores de Zaragoza

Medieval Art / Spanish painting / Medieval Crown of Aragon / Art Market / Gothic Painting / Late Gothic Painting / Gothic Art / Medieval panel painting / Zaragoza / Medieval Painting / Spanish Gothic Painting / Late Gothic Painting / Gothic Art / Medieval panel painting / Zaragoza / Medieval Painting / Spanish Gothic Painting

Art i Artistes a l\'època romànica, Manuel Castiñeiras, Jordi Camps (eds), Besalú, 2015. Sintesi. Quaderns dels Seminaris de Besalú, 3, 2015

Medieval Architecture / Romanesque Art / Medieval Art / Romanesque architecture / Romanesque Sculpture / Medieval Wall Paintings / Medieval panel painting / Medieval Textiles and Clothing / Catalan Medieval Art / Romanesque pictorial arts / Medieval metalwork / Historic Pigments and Binding Mediums / Medieval Manuscript Illumination / Medieval Artists / Theories of Authorship / Signatures of Artists / Medieval Church Treasuries / Medieval Wall Paintings / Medieval panel painting / Medieval Textiles and Clothing / Catalan Medieval Art / Romanesque pictorial arts / Medieval metalwork / Historic Pigments and Binding Mediums / Medieval Manuscript Illumination / Medieval Artists / Theories of Authorship / Signatures of Artists / Medieval Church Treasuries

“Paliachora (Egina), el Sinaí y Catalunya a finales del siglo XIV: hibridación artística, política y peregrinación en el Mediterráneo Oriental”, in Imagens e Liturgia na Idade Média, 5, C. Varela Fernandes (ed.), Secretariado Nacional dos Bens Culturais da Igreja 5, Lisboa, 2016, pp. 9-56.

Patronage (Medieval Studies) / Crusader Art and Architecture / Byzantine art / St Catherine's Monastery / Medieval pilgrimage / History of Aigina / Byzantine Icons / Medieval panel painting / Saint George / Catalan Medieval Art / Hybridization of Artistic Practices / Byzantine painting of the Paleologue period / Athens and Attica / Mediaeval Cult of Relics and Saints / Greece under Latin rule / Hybridity and Cultural Identity / Christian Sinai / Catalan Grand Company / ALMOGAVARES / History of Aigina / Byzantine Icons / Medieval panel painting / Saint George / Catalan Medieval Art / Hybridization of Artistic Practices / Byzantine painting of the Paleologue period / Athens and Attica / Mediaeval Cult of Relics and Saints / Greece under Latin rule / Hybridity and Cultural Identity / Christian Sinai / Catalan Grand Company / ALMOGAVARES

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